Bibliography
Buskin, Richard. 1999. Inside Tracks: A First-hand History of Popular Music From the World’s Greatest Record Producers and Engineers. New York: Avon Books.
Chanan, Michael. 1995. Repeated Takes: A Short History of Recording and its Effects on Music. New York: Verso.
Clark, Rick. 1996. “Emmylou Harris: The Making of Wrecking Ball” in Mix. Vol. 20, No. 2, February 1996.
Cogan, Jim and William Clark. 2003. Temples of Sound: Inside the Great Recording Studios. San Francisco: Chronicle Books.
Cunningham, Mark. 1996. Good Vibrations: A History of Record Production. London: Sanctuary Publishing Ltd.
Daley, Dan. 1999. “John Storyk: Thirty Years of Studio Design” in Mix. Vol. 23, no. 6, June 1999.
Doyle, Peter. 2005. Echo and Reverb: Fabricating Space in Popular Music Recording, 1900-1960. Middletown, CT: Wesleyan University Press.
Foucault, Michel. 1979. Discipline and Punish: The Birth of the Prison. New York: Vintage Books.
Fyfe, Andy. 2003. When The Levee Breaks: The Making of Led Zeppelin’s IV: Chicago: A Cappella Books.
Gaisberg, F.W. 1942. The Music Goes Round. New York: The Macmillan Company.
Gill, Andy and Kevin Odegard. 2004. A Simple Twist Of Fate: Bob Dylan and the Making of Blood On The Tracks. Cambridge, MA: Da Capo Press.
Granata, Charles L. 1999. Sessions with Sinatra: Frank Sinatra and the Art of Recording. Chicago: A Cappella Books.
Katz, Mark. 2004. Capturing Sound: How Technology Has Changed Music. Berkeley: University of California Press.
Kenney, William Howland. 1999. Recorded Music in American Life: The Phonograph and Popular Memory, 1890-1945. New York: Oxford University Press.
Lewisohn, Mark. 1988. The Beatles Recording Sessions. New York: Harmony Books.
Massey, Howard. 2000. Behind The Glass: Top Record Producers Tell How They Craft The Hits. San Francisco: Miller Freeman Books.
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______. 2003. “Tails Out: Social Phenomenology and the Ethnographic Representation of Technology in Music Making,” in Music and Technoculture, Rene T.A. Lysloff and Leslie C. Gay, Jr. eds. Middletown, CT: Wesleyan University Press.
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Filmography
A Star Is Born, Warner Bros. 1954.
Aerosmith: The Making of Pump, Columbia Music Video, 1990.
Boogie Nights, New Line, 1997.
Coal Miner’s Daughter, Universal, 1980.
I am Trying to Break Your Heart: A Film About Wilco By Sam Jones, Plexifilm, 2003.
Jailhouse Rock, Warner Bros., 1957.
Laurel Canyon, Sony Pictures Classics, 2002.
Let It Be (1970), taken from The Beatles Anthology, Apple, 2003.
Meeting People is Easy, Parlophone/Capitol, 1999.
Nashville, Paramount, 1975.
Ray, Universal, 2005.
Rock Star, Warner Bros., 2001.
Some Kind of Monster, Paramount, 2004.
Sympathy For The Devil, ABKCO, 1970.
The Buddy Holly Story, Columbia Pictures, 1978.
The Harder They Come, International Films/Xenon Pictures, 1972.
The Kids Are Alright, Pioneer/EMI, 1979.
This is Spinal Tap, Studio Canal/MGM, 1984.
U2: Rattle and Hum, Paramount, 1988.