{"id":3972,"date":"2021-12-16T05:54:48","date_gmt":"2021-12-16T05:54:48","guid":{"rendered":"https:\/\/www.arpjournal.com\/asarpwp\/?p=3972"},"modified":"2021-12-16T17:33:50","modified_gmt":"2021-12-16T17:33:50","slug":"multi-channel-sound-design-instruments-for-360-degree-composition","status":"publish","type":"post","link":"https:\/\/www.arpjournal.com\/asarpwp\/multi-channel-sound-design-instruments-for-360-degree-composition\/","title":{"rendered":"Multi-Channel Sound Design: Instruments for 360-Degree Composition"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Abstract<\/h2>\n\n\n\n<p>The continuing development and industry uptake of multi-channel audio is creating new potential for sound designers. This paper presents research that provides a new approach to designing sound for spatial audio applications, by investigating the potential of combining sound creation and spatialisation through performance. The research uses a practice-based approach, involving the design, development and testing of a software-based instrument that combines gestural control, multi-voice sound generation and an Ambisonic spatialisation system. The focus of the research is to prototype an instrument that is easy to learn and intuitive to use.<\/p>\n\n\n\n<p><meta charset=\"utf-8\">Peer Reviewed FULL TEXT (available as a <a rel=\"noreferrer noopener\" href=\"https:\/\/www.arpjournal.com\/asarpwp\/wp-content\/uploads\/2021\/12\/Mark-Durham_ARP2019.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.arpjournal.com\/asarpwp\/wp-content\/uploads\/2021\/12\/Mark-Durham_ARP2019.pdf\" target=\"_blank\">PDF <\/a><a href=\"https:\/\/www.arpjournal.com\/asarpwp\/wp-content\/uploads\/2021\/12\/Mark-Durham_ARP2019.pdf\" data-type=\"URL\" data-id=\"https:\/\/www.arpjournal.com\/asarpwp\/wp-content\/uploads\/2021\/12\/Mark-Durham_ARP2019.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">download<\/a>)<\/p>\n\n\n","protected":false},"excerpt":{"rendered":"<p>Abstract The continuing development and industry uptake of multi-channel audio is creating new potential for sound designers. This paper presents research that provides a new approach to designing sound for spatial audio applications, by investigating the potential of combining sound creation and spatialisation through performance. The research uses a practice-based approach, involving the design, development [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[60],"tags":[],"class_list":["post-3972","post","type-post","status-publish","format-standard","hentry","category-articles-editorials-provocations","author-mark-durham"],"_links":{"self":[{"href":"https:\/\/www.arpjournal.com\/asarpwp\/wp-json\/wp\/v2\/posts\/3972","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arpjournal.com\/asarpwp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.arpjournal.com\/asarpwp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.arpjournal.com\/asarpwp\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arpjournal.com\/asarpwp\/wp-json\/wp\/v2\/comments?post=3972"}],"version-history":[{"count":3,"href":"https:\/\/www.arpjournal.com\/asarpwp\/wp-json\/wp\/v2\/posts\/3972\/revisions"}],"predecessor-version":[{"id":4045,"href":"https:\/\/www.arpjournal.com\/asarpwp\/wp-json\/wp\/v2\/posts\/3972\/revisions\/4045"}],"wp:attachment":[{"href":"https:\/\/www.arpjournal.com\/asarpwp\/wp-json\/wp\/v2\/media?parent=3972"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.arpjournal.com\/asarpwp\/wp-json\/wp\/v2\/categories?post=3972"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.arpjournal.com\/asarpwp\/wp-json\/wp\/v2\/tags?post=3972"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}