{"id":4142,"date":"2024-05-14T23:38:11","date_gmt":"2024-05-14T23:38:11","guid":{"rendered":"https:\/\/www.arpjournal.com\/asarpwp\/?p=4142"},"modified":"2024-05-20T13:22:48","modified_gmt":"2024-05-20T13:22:48","slug":"guy-baron-2","status":"publish","type":"post","link":"https:\/\/www.arpjournal.com\/asarpwp\/guy-baron-2\/","title":{"rendered":"Make music like no one is watching: a conversation on bedroom production in audio-visual piece Queen Aquamarine"},"content":{"rendered":"\n

Guy Baron is an academic and a singer-producer working under the name Semi Precious<\/a>. His musical practice fuses electronic music production and songwriting to explore notions of bedroom production and hauntology, with previous musical works being endorsed by The Sunday Times (\u2018real emotional depth\u2019), The Guardian (\u2018subtly dislocating beauty\u2019) and i-D (\u2018celestial pop suspending and spinning in a dark and lonely bedroom\u2019). Baron serves as a lecturer of music production at Goldsmiths University<\/a>, as well as leading practice-based modules at London South Bank University. His doctoral research focused on aspects of reminiscing and retrospection in the context of electronic music making.<\/p>\n

Yasmin Vardi\u2019s work incorporates video, installation, photography and text and focuses on trauma, the politics of form and mechanisms relating to constructed realities. She holds an MFA from Slade School of Fine Art, and exhibited in Open City Documentary Festival, Venice’s 17th Biennale, London\u2019s Architecture Festival and greengrassi Gallery.<\/p>\n