{"id":520,"date":"2007-02-23T07:42:33","date_gmt":"2007-02-23T07:42:33","guid":{"rendered":"https:\/\/arpjournal.com\/?p=520"},"modified":"2021-10-30T19:21:59","modified_gmt":"2021-10-30T19:21:59","slug":"music-producers-guild-round-table","status":"publish","type":"post","link":"https:\/\/www.arpjournal.com\/asarpwp\/music-producers-guild-round-table\/","title":{"rendered":"Music Producers Guild Round Table"},"content":{"rendered":"<p>Haydn Bendall, Mick Glossop, Mike Howlett and Tony Platt, members of the UK Music Producers Guild, reflect on issues identified by Simon Frith in his editorial piece <a href=\"https:\/\/arpjournal.com\/486\/a-journal-on-the-art-of-record-production\/\" target=\"_blank\" rel=\"noopener\">A Journal on the Art of Record Production<\/a>.<\/p>\n<p>On choosing a studio:<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-520-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.arpjournal.com\/asarpwp\/wp-content\/uploads\/2011\/03\/1_Choosing_Studios.mp3?_=1\" \/><a href=\"https:\/\/www.arpjournal.com\/asarpwp\/wp-content\/uploads\/2011\/03\/1_Choosing_Studios.mp3\">https:\/\/www.arpjournal.com\/asarpwp\/wp-content\/uploads\/2011\/03\/1_Choosing_Studios.mp3<\/a><\/audio>\n<p>On changing studio design:<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-520-2\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.arpjournal.com\/asarpwp\/wp-content\/uploads\/2011\/03\/2_Changing_Studio_Design.mp3?_=2\" \/><a href=\"https:\/\/www.arpjournal.com\/asarpwp\/wp-content\/uploads\/2011\/03\/2_Changing_Studio_Design.mp3\">https:\/\/www.arpjournal.com\/asarpwp\/wp-content\/uploads\/2011\/03\/2_Changing_Studio_Design.mp3<\/a><\/audio>\n<p>On the relationship between booths and performances:<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-520-3\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.arpjournal.com\/asarpwp\/wp-content\/uploads\/2011\/03\/3_Booths_and_Performance.mp3?_=3\" \/><a href=\"https:\/\/www.arpjournal.com\/asarpwp\/wp-content\/uploads\/2011\/03\/3_Booths_and_Performance.mp3\">https:\/\/www.arpjournal.com\/asarpwp\/wp-content\/uploads\/2011\/03\/3_Booths_and_Performance.mp3<\/a><\/audio>\n<p>On performance vs audio quality:<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-520-4\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/www.arpjournal.com\/asarpwp\/wp-content\/uploads\/2011\/03\/4_Performance_vs_audio_qual.mp3?_=4\" \/><a href=\"https:\/\/www.arpjournal.com\/asarpwp\/wp-content\/uploads\/2011\/03\/4_Performance_vs_audio_qual.mp3\">https:\/\/www.arpjournal.com\/asarpwp\/wp-content\/uploads\/2011\/03\/4_Performance_vs_audio_qual.mp3<\/a><\/audio>\n","protected":false},"excerpt":{"rendered":"<p>Haydn Bendall, Mick Glossop, Mike Howlett and Tony Platt, members of the UK Music Producers Guild, reflect on issues identified by Simon Frith in his editorial piece A Journal on the Art of Record Production.<\/p>\n","protected":false},"author":8,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[60],"tags":[34,5],"class_list":["post-520","post","type-post","status-publish","format-standard","hentry","category-articles-editorials-provocations","tag-industry-perspective","tag-interviews","author-haydn-bendall","author-mick-glossop","author-mike-howlett","author-tony-platt"],"_links":{"self":[{"href":"https:\/\/www.arpjournal.com\/asarpwp\/wp-json\/wp\/v2\/posts\/520","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arpjournal.com\/asarpwp\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.arpjournal.com\/asarpwp\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.arpjournal.com\/asarpwp\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arpjournal.com\/asarpwp\/wp-json\/wp\/v2\/comments?post=520"}],"version-history":[{"count":10,"href":"https:\/\/www.arpjournal.com\/asarpwp\/wp-json\/wp\/v2\/posts\/520\/revisions"}],"predecessor-version":[{"id":3844,"href":"https:\/\/www.arpjournal.com\/asarpwp\/wp-json\/wp\/v2\/posts\/520\/revisions\/3844"}],"wp:attachment":[{"href":"https:\/\/www.arpjournal.com\/asarpwp\/wp-json\/wp\/v2\/media?parent=520"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.arpjournal.com\/asarpwp\/wp-json\/wp\/v2\/categories?post=520"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.arpjournal.com\/asarpwp\/wp-json\/wp\/v2\/tags?post=520"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}