How did it all start for you? I learnt keyboard and piano from a relatively young age, but was never particularly good at practicing instrumental playing. Around my teenage years, I developed an interest in singing and started taking vocal lessons, whilst also taking music theory and performance at school. At that point, I was […]
The Journal on the Art of Record Production (JARP) is an international double-blind peer reviewed open access online journal promoting the interdisciplinary study of music production. The term ‘record production’ is to be interpreted in the broadest sense as the production of recorded music.
JARP was founded in 2006 by Simon Zagorski-Thomas and Katia Isakoff. JARP has published eleven open access electronic issues, and a twelfth in book form. Interviews with GRAMMY nominated and award winning musicians and record producers can be found on our website and published in our books.
Editors-in-Chief: Katia Isakoff (Founding Editor) and Richard James Burgess MBE
Editors: Shara Rambarran and Brandon Vaccaro
Guest Editors: Please see individual journal issues.
Peer Reviewers: Please see Reviewers listing: here
2024: Artist Researcher Reflections
Interviews
Industry Perspective
Make music like no one is watching: a conversation on bedroom production in audio-visual piece Queen Aquamarine
Guy Baron is an academic and a singer-producer working under the name Semi Precious. His musical practice fuses electronic music production and songwriting to explore notions of bedroom production and hauntology, with previous musical works being endorsed by The Sunday Times (‘real emotional depth’), The Guardian (‘subtly dislocating beauty’) and i-D (‘celestial pop suspending and spinning […]
Semi Precious – Sun is Out: Reflections on Bedroom Production Aesthetics
Guy Baron is an academic and a singer-producer working under the name Semi Precious. His musical practice fuses electronic music production and songwriting to explore notions of bedroom production and hauntology, with previous musical works being endorsed by The Sunday Times (‘real emotional depth’), The Guardian (‘subtly dislocating beauty’) and i-D (‘celestial pop suspending and spinning […]