Abstract The article analyzes surround mixing of King Crimson’s analog recordings. “Lizard,” “Larks’ Tongues in Aspic (Part 1),” “The Night Watch,” “Trio,” and “One Time” are analyzed using the theoretical perspectives of the music recording as representation and spatial design. There is a difference between live and studio recordings in surround: live recordings tend to […]
Journal on the Art of Record Production
ISSN: 1754-9892